Author Charles Potts

No Exit—from the Not-So-Great Depression

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No Exit—from the Not-So-Great Depression
by Charles Potts

No Exit is the title of one book by Jean Paul Sartre, a French writer, communist and co-father of Existentialism that I’ve never been able to read, even though I have always admired the fact that he thumbed his nose at the Nobel Prize for Literature saying something like, “I don’t accept prizes, whether the Nobel or a sack of potatoes.” The Nobel Prize for Literature, as you’ve probably heard, is passed out by a pack of gunpowder academics from the net proceeds of the fortune of Alfred Nobel, the inventor of dynamite, by confusing politics with literature. Each year they make some kind of difficult-to-decipher gesture toward one or another enclave in the Third World. They haven’t given one to an American for a long time—trying to snub the Empire, I suppose. Who knows what all they read on their way to spurious decisions.

To give you an example of how far into the mire language has fallen, I’m under the impression the Swedes delegated the awarding of the Peace Prize to the Norwegians, and as an old Swedish girlfriend of mine used to say, “He ain’t Norwegian” when she wanted to insult somebody, the way dweebs from Eastern Montana make fun of the hapless denizens of North Dakota. I mean, they gave the Peace Prize to the Boy Scout from Chicago and he had to pick it up the very week he announced he was sending an additional 30,000 troops to win the war in Afghanistan at a cost of $30,000,000,000, i.e. thirty billion dollars. I hope the unemployed are sitting down for this but my honorary degree in rocket science suggests that it is impossible to win a colonial war when it costs the Empire A MILLION dollars per soldier to put a pair of boots, as the talking heads put it, on the ground. Even if they were taking gold out of Afghanistan by the trainload, colonial war is a losing proposition. And there is nothing else there to “win” either. The last time I can remember that the Peace Prize went to such a warmonger was when the great war criminal Henry Kissinger accepted it, on behalf of the scut work he did for the scoundrel Richard Nixon in the Empire’s war on Vietnam. Americans have forgotten their own colonial history, if they ever knew it. Back in the day, early 1600s, with the importation of some good tobacco from the Orinoco River in South America, Virginia became the drug producing capital of the new world. Fortunes were made. Now the Empire has the effrontery to try to wipe out the opium producers in Afghanistan.

Colonial War in all its many disguises is one of the primary reasons why there is No Exit from the not-so-great depression. To give the Tea Party sympathizers among the audience an example they can get their red meat teeth into, the Cheney-Bush Administration started and lost three unnecessary wars simultaneously while bankrupting the Treasury and blowing a hole in the world economy that likely won’t get re-filled in the length of an ordinary lifetime. And Republicans wonder why they are out of office.

To take their undeclared wars one at a time… (By the way, this civilization declared war in 1941, two years before your author was born, and has never declared peace. We have war as a way of life, described in the political literature as “Peace and Prosperity,” going down in history as a violent parody of standards even double-talk can’t reach.) In their post 9-11 mind set in concrete, they launched the aforementioned War on Afghanistan, allegedly because the perpetrators of 9-11, mostly Saudi Arabians and Egyptians, once trained there. It was described by that half-an-asshole semi-Colon Powell as asymmetrical warfare, overlooking the fact that the asymmetry was provided by the Empire, when a handful of special ops could have taken out the survivors of the plot for chump change. At least that’s the way Eisenhower’s CIA used to do it during the “Peace and Prosperity”-driven 1950s. Discontent with starting a war they couldn’t finish much less win led them on to the War on Iraq, a regime changer if there ever was one, to depose a war criminal satrap the Empire had set up years before, one Saddam Hussein by name, who never made the slightest dent in his long war against Iran, even with the Rumsfeld-provided poison gas.

Lying their way into war is the modus operandi of the Empire, now in need of a theme. Voila! A War on Terrorism. A war on abstract nouns is the perfect setup for the Empire. The enemy can’t be found, so Osama bin Laden is still at large, generating funds for both sides. The siege mentality of the Paranoid Christian Fascists has them fighting Islamo-Fascists and the Fascists are winning. For every terrorist killed three new ones are created, an endless supply for an endless war, in an Empire presided over by endless fruitcakes. The Empire has 16 separate spy agencies, all gathering information and hoarding it from one another, much less the people on whose behalf it is purportedly gathered. If you have a secret and somebody else wants to discover it, that somebody else becomes pro forma an enemy. The interlocution of paranoia; the structure of political madness.

The algorithm for the end of empires has three integrals and derivatives. How fast the leaders burn through their assets, chief of which is the support of their populations; the size of the asset base; and the quality and focus of the opposition. Costs of empire are borne by the entire population while the benefits accrue to the very few with inside jobs: no-bid contractors who milk the sacred American cow. In other words, the calculus of empire and colonial war is an exercise in socializing the costs—socialized war, anyone?—while privatizing the benefits. This best of both worlds is a dream scheme for plutocrats and a nightmare for everybody else. An Alice in Wonderland foreign policy presided over by the presidency, no matter who holds the office, presages an epic disaster.

If you haven’t dropped out yet, it’s probably time.


Charles Potts: wikipedia

Previous work by Charles Potts in Arthur…

“The Recession and How to Live Through It” (Jan 2009)

“The Dope From Muskogee”

Shoethrower Muntader al-Zaidi named Arthur Magazine “Man of the Year” 2008; Charles Potts salutes al-Zaidi with new poem, “Balls Out.”

“A Case of Cheney Paranoia”

Poem in Arthur No. 5 (special “Arthur Against Empire” issue)

“Spasm Empire”

Charles Potts & SUNN 0))) at ArthurFest 2005 – video footage

THE RECESSION AND HOW TO LIVE THROUGH IT by Charles Potts

Reposted from January 2009—because it still applies… —Ed.

charlespotts_web

January 28, 2009

THE RECESSION AND HOW TO LIVE THROUGH IT
by Charles Potts

[Arthur editor] Jay Babcock has tempted me with the phrase, “It would be great if you wrote something on this subject,” referring to the subject line of his email, “The recession and how to live through it.”

I’ll take the bait. This is more than a recession. This is going to be a huge depression, with the “recovery” way off in the distance.

A recession, per Christopher Wood, desk chair person for The Economist in Tokyo circa 1995, is “a superabundance of inventory, and can be melted off the shelf; a depression is a superabundance of capacity” and takes much longer to get out of. Remember that it took the bean counters in Wash DC a full year to confirm the economy was in recession, and there’s a lot of over-the-counter chatter about how this recession is already longer than the one in, take your pick: 1976-1980-1991-etc. However, look around you and notice the superabundance of capacity. The industrial hind end of Europe, Japan, the US and China plus all else, can easily produce multiple times more automobiles, cell phones, TVs, computers, refrigerators, et al. than anybody with funds can buy.

This is the fourth major deflationary price collapse in the past 600 years. In the three previous price collapses, there was a long period afterward when prices did not recover their pre-fall levels for decades. Prices last collapsed hard in 1815 after Wellington’s victory over Napoleon at Waterloo; the period from 1815-1896 has been called by economists The Victorian Equilibrium. Many things contributed to this low-level stability, but it is sobering to realize there was scant inflation in the United States during the 19th century. (Inflation, by the by, is not necessarily a bad thing. Inflation simply moves assets around the game board from creditors to debtors; it doesn’t actually destroy anything except purchasing power if all you have is cash. In deflation, which we’re going through now, cash will buy a lot. During inflation it is better to have hard assets that increase in value at least at the same rate as cash.)

Will it take eight decades before the world economy is go-go again?

My reference to 1815 isn’t casual. I just re-read David Hackett Fischer’s The Great Wave: Price Revolutions and the Rhythm of History. His book is about the three previous big price collapses: in the early 14th century when the Black Death ended the so called “Middle” ages; then, circa 1492, when prices collapsed during the Renaissance, and we encircled ourselves globally; and the aforementioned 1815. What’s so crucial about 1815 is it is also the date and the event that Oswald Spengler (The Decline of the West) identifies as the moment Western culture went sideways and into “civilization,” cf. Napoleon at Waterloo. Fischer’s graphs of how the prices rose and fell, can be superimposed one over another. This collapse we’re in, the big one for the rest of our lives, started 20 years ago in Japan in 1989, has hit Argentina and most of Latin America, Russia twice now, and finally the big fish, the rest of Europe and the US. Even Doha is scaling back!

The powers that be with their printing presses will print money and throw it at the wall until enough of it sticks. Some activities will appear to return to normalcy. But you shouldn’t wait for the influx of money to turn deflation into inflation, just as you shouldn’t wait for the bailout to trickle down to you. Unemployment is going to increase and stay high for some time. Challenging moments are upon us.

My advice in hard times would be the same in good times: find something you love to do and master it, become as good as or better at it than anyone has any reason to be. Look up the people who do it really well right now. Study the masters. A musical instrument, a physical activity, painting, movies, art of all kinds, the writing of poetry or other books, whatever makes you feel better about yourself and contributes to our well being. Try enough things until you are satisfied that your fascination with the subject will lead to mastery. Six or eight hours of focused effort a day should suffice. I think this is reasonable advice, coming from an old man who has squandered most of his life by being interested in too many things to master any of them.

We don’t exist as individuals; we exist as the sum total of our relationships. You’ll need all the friends you can get, so be honest, fair and generous in your dealings with other people. Don’t be afraid to ask for help or take unseemly risks. The future does not belong to the risk aversive.

It will be difficult to get rich in the onrushing hard times, but it will be easy to get poor or poorer. Watch where your money goes. Make sure you get good value for it. Avoid buying things you don’t really need. Add value to your activities by putting forth effort. Expect others to do the same.

Spend time with children and if you have children of your own, take the time to understand the world from their point of view.

Assets are things that have to be used up creating additional assets. Almost without exception, your biggest asset is your time. I could have gotten rich teaching a seminar I created called “Seize the Day,” essentially a series of sensory exercises to stimulate your imagination to take over and live your own life. But I preferred life in a small town and didn’t want to see the inside of every airport and convention center in the country.

Maybe it’s time to skip the addictions, look up old friends, or visit long-lost relatives. Life is a gift of such presurpassing value that we sometimes hardly notice. Learn to appreciate simple things, the taste of water, the odor of flowers, the great way gravity contributes to your ability to walk and run.

Some of the things people love to do and do well don’t pay that much: poetry for example. Nobody really gives much of a fuck anymore if you can understand the world and set it to music. You have to feed yourself, and if a family, contribute to their well-being. You may find yourself bearing an overload of dissonance, earning your daily bread and wishing, as the Colorado poet and painter Joe Lothamer said, “I dream of being a janitor.”

Every changed circumstance contains opportunities, which accrue to the first people to recognize them. Since circumstances are in constant flux, there is a steady stream of opportunities. Learn to spot them and make them your own.

Keep the basics in mind. People will still be buying food even if the rest of the consumer economy blows completely up, as it so richly deserves to. Heal the sick, wake the dead, feed the hungry. Food shelter and clothing. Eat slowly and chew your cud well.

Biographical info on Charles Potts.

Previously in Arthur:

“The Dope From Muskogee” by Charles Potts

Muntader al-Zaidi named Arthur Magazine “Man of the Year” 2008; Charles Potts salutes al-Zaidi with new poem, “Balls Out.”

“A Case of Cheney Paranoia” by Charles Potts

Poem in Arthur No. 5

“Spasm Empire” by Charles Potts

CHARLES POTTS & SUNN 0))) AT ARTHURFEST 2005 – video footage

“Chapter Time” by Klyd Watkins

Chapter Time
poem by Klyd Watkins

Because the living room did not lie down a super highway,
Spike had to put up signs to have the big trucks detour through.

Judy and Linda would giggle and squeal like at a horror movie
waiting for the ZZWOOOOOMMM and
waiting to stick their cheeks into the v of the wind wake.

Neofunk said, to no one in particular,
“Myth is the highest form of knowledge..
Berdyaev reminds us Plato recognized this.”

Phospher, to not interrupt this, wiggled his eyes for his wife to go
get him a coke
but she had been gargling neon and was busy speaking signs unto them.

Judy fixed up a puppet that Linda worked.
When a truck came,
ZZOOOOMMMM,
Linda dropped the puppet smack into its face.

Breathlessly they pulled the strings to see if it would rise again,
as the big truck disappeared down the road.

Phospher went after his own coke.
Neofunk continued, “Temporarily,
poetry is where myth
quickens from knowing into music.”

ZZZZWOOOOOMMMMM
said the red
sign Phospher’s wife
blew into
the air. It took off down the road after
the red truck.


Klyd Watkins’ first chapbook of poetry, pete’s improvizations [sic], was published by Owl’s Breath Press in 1969. During the seventies he produced ten lps of Poetry Out Loud with his wife Linda and with Peter and Patricia Harleman. These records are still collected. He has alternated between writing poetry and creating poetry by direct audio recording of improvisation. Since the ’90s he has sometimes combined the two, using text as well as improvisation in his recordings and publishing written poetry. His CDs include Listen The Night, as part of the band What Are We? with Mike Panasuk, and “Harp All Made of Gold,” which presents chapter one of his long poem Jack spoken over world class rock and roll. Books include Ghost Trees from Sugar Mountain Press and 5 Speed from The Temple.
His own poetry and that of friends, both well know and never heard of, appears on his website: http://www.thetimegarden.com/
http://thundershack.net/ is devoted to his backyard recording studio.

“St. John’s Fire” by T.M. Göttl

poem by T.M. Göttl

St. John’s Fire

Next time you stand at the foot of a spiral stair,
look straight up,
into the dome, owned by
the gold and green brothers, Polaris and Sirius.
And there, you’ll see
the dove and the raven,
the flood birds, entwined,
in the pupil of a god’s eye, and the
god’s double tongues—one of leather, one of steel—
carving silver peacocks
into the backs of liars and other faithless.
They fill the streets
with their gunpowder cries, but
intrepid, you kick past their glittering,
bottled hollers, approaching
the mossy queen with
tiny lions climbing
from her open collar.
Your fresh supplications, awkward and
skinless, hover near the queen’s feet,
until the twin cubs devour them
and run. You must chase them,
without wheels or engines or bullets this time;
only your untried calves and thighs and lungs, only
your untested heart.
And you chase them, every midnight and midmorning,
past the tribes of the hopeful
tending St. John’s fires,
and camping at the ocean’s fingertips.


T.M. Göttl, a member of the Buffalo ZEF Creative Arts Community, has won a Wayne College Regional Writing Award and a Franklin-Christoph Poetry Prize. She won first place on the first time she ever competed in a poetry performance competition. She travels throughout the state of Ohio, writing and performing her poetry, and her work has appeared online and in print, in places such as Deep Cleveland, The Poet’s Haven, The Mill, The Hessler Street Fair Anthology, and a bilingual poetry collection to benefit victims of the Sichuan Earthquake in China in 2008. Her first collection, Stretching the Window, was published in February 2008.

“write with the tv on”

untitled poem by Angela Jaeger

write with the tv on
building the houses
finance the education
save the nation
fraud the credit
use my number
file a claim
get a new card
find a new password
keep it a secret
forget about it
fall in the house of still
the tall frame no blame
listening to a voice within
the secret number
the subway train
the snow is god
and the snow is falling

ritual for wild dogs

ritual for wild dogs

by Jeremy Gaulke

we found whiskey in bottles
without labels
in charred ruins and secret places
draped in rust and toadstools

filled hub caps and jagged cans
and left near the shit and uneaten cowls
of the dogs who ran the woods
at night

we left the whiskey
to madden the dogs
the way that men are mad
to make them brave enough
to return to us

to forget the bags and boxes
after their mothers
to forget the fall
the way they broke against
each other in the dark
to forget that they were so hungry
that they had funerals
thru their intestines
eating as much as they could from the
soft jowl and haunch and sides

to give them the strength to be ghosts
to be gods

we knew they were there but could never see them
but we prayed for them
and left the whiskey
in the ruins off the road
adorned in rust and natures squalor
to make them mad
to make them strong
to make new gods of slaughter


Jeremy Gaulke is the author of The Ghost of Harrison Sheets, access to a description and excerpts from which are available here, as well as a chance to buy it. “ritual for wild dogs” is from a forthcoming volume from The Temple Inc. entitled What the Master Does Not Speak Of.

My Neighbour Has a New Girlfriend

poem by Valerie Webber

My Neighbour Has a New Girlfriend

My neighbour has a new girlfriend.
I hear her little kitten moans
through the runway thin wall.
It sounds like they’re birthing a small barnyard animal.

My partner and I reflect
on how irksome he must have found us
these past few celibate years
And how surprised we are
that the only passive aggressive mail slot note we ever got
was after that awkward 4some
that lasted ‘til 8 am.

So needless to say,
we’re trying to be reasonable.

And through the muffled *hmphs*
and off beat bed springs
I’m at once saddened and joyed
by having peeping privy
to the sounds of new lust just as they’re exhaled.

And I wonder if they stare at each other
during pillow talk, eyes flitting,
or if they spoon, with cooling breath on the neck.
And if they spoon,
is she always the inner spoon,
or do they, like us, take turns.

I wonder if they’ll still find each other
perfectly new
after one has seen the other puke
- a few times.

I can practically feel their enthusiasm,
no matter how vanilla,
through the wall that joins us;
Of discovering each other,
showing off for one another
pre queef humility.
Hitting a hundred firsts per hour.

And I regret, right now, that I didn’t
go down on my first girlfriend more
or that I don’t exactly remember
the first orgasm I had with Antoine.

Still, tapping in to the neighbour’s
first steps
helps me to retrace my own

every first time that I’ve done them.

Valerie Webber
In her own write: Valerie is a reluctant academic and proud smut peddler. She has lived in Montreal since abandoning her maritime home 7 years ago. When not writing she alphabetizes her cd collection, chews the skin around her fingernails, and shamelessly indulges in legal drama television. She generally shares too much information concerning genitals, her own or otherwise. Previous work includes thin little arms build castles (big baby books) and lignin diadem with Genevieve Dellinger (big baby books, rain ridge press & glasseye books co-publication ).

Dust off Your Lips

Dust off Your Lips, a poem by Travis Catsull

It’s morning in Texas
& deer bones
thaw in the ditch

grapefruit rot on the table
& it pours on the tin
propped against the barn

suddenly water
covers the road
in heavy puddles

& we are praying
& praying so
damn loud

we pray
for bigger mouths

Travis Catsull, from Year of the Girl

Other books by Catsull include Open Spirit and Isle of Asphalt from Effing Press in Austin. Catsull is the editor/founder of Haggard and Halloo and co-founder of The Charles Potts Magic Windmill Band Which won the Austin Chronicle’s choral CD of the year award in 2008 for The Golden Calves.

POETRY: “Dear Horizon” by Adam Perry

Dear Horizon,

             It could have been an anchor I pushed into you, but the pull was something like a lighthouse. Perhaps we’re a wildfire “because of what happens between ellipses and the continuation that we make love so well we recover our virginity.” I see the city, but we can exist here all-knowing and unconscious, because we’re moving. We mystery: man and wom(b)an(d) vice and never versus – a reversal. Who has the authority to push and pull heaven and hearth from both sides of variability? If only it was like a book with cylindrical binding in the center – pages inside and out, an author given peace to please – light room on a dark horse – a shape in shadows exists while you enter and by no means exit; an image speaks with no prevention, only echo fire. Jump off a building holding hands –what’s the chance you’ll fall on someone you love like an eclipse? Would you recognize sex from a print of my fantasy palm? (My son’s line; my head line; my archer and flame and mineral line) Perception is the story of destiny; how we’re always right on time, stumble and discover we’re home, wiping stroboscopic genitals with sun-dried rags to prepare for free will. So breathe into my character, give me an overabundance of names to balance all those unnecessary superlatives on the exclamation points of a first kiss that happens every day. Circles are the only Lord of Light; they draw all possible combinations back and forth together and feather in orbit. A universal magnetism, desires tamed through indulgence vis-à-vis how blood bleeds: causal, astral, fizzle, stop and repeat. In essence, I would use your face…a photo of your grace…to describe what and how I’m feeling, but some people are out of love, so out of wearing skin that up is down and nothing moves anyway. We have become a most-favored instrument, a means of expression. Do this harmony on my hereafter, because the common gender is obsolete:

                                                                               Love,
                                                                                     Adam Perry


Adam Perry will graduate this year from Naropa University. His first book No One Knows was published by Richard Denner’s D Press several years ago. You may have heard his music with the bands Whitford and Love X Nowhere. The quoted remarks in “Dear Horizon” are from his SO Irene Joyce and the poem is from his forthcoming collection on Monkey Puzzle Press (monkeypuzzleonline.com), entitled fotographs of bones.

“Think fondly of Eachother” by Bree

Think fondly of Eachother
This is what we are

Eachother

Also know we are alone together
And will die the same

Alone

Madness:
in the cooler
          of the mind,
the elevators
       corridors and yes the
                             sole stairwalker
               even now he whistles
                             thinking fondly of eachother

A leaf drags along the ground for miles

(eachother)

A cricket intermittently makes an
                announcement

Eachother

What it is we share
    When we mow each our own

When we type for one

                 When we meet the mailman
At the door it is in unison

Turn madness into roars
            Of joking with eachother
                         Tears paper thin the walls of
                                    Anger at eachother like
                             Birthday cakes and chicken
                       With butter for eachother
               For this is all we are

—Bree

This poem is from Bree’s “Was Chicken Trax Amid Sparrows Tread,” available at abebooks.com, or send check/cash/MO for $10 per book plus $2 shipping & handling, to
Green Panda Press
3174 Berkshire Road
Cleveland Heights, OH 44118