ARTHUR MAGAZINE ARCHIVE

Show image: Jason Leinwand “Accepting Fear Rather Than Trying to Understand It”

VISION QUEST – A Group Show of Neo-Shamanic Art
Opening:  Saturday, January 16th, 2010    7–10pm
On View:  January 17th–February 21st, 2010
Hours:  Thursdays & Fridays 3–6pm; Saturdays & Sundays 12–6pm

Brooklyn, NY -  OBSERVATORY and Phantasmaphile’s Pam Grossman are proud to kick off 2010 with VISION QUEST, a group show of neo-shamanic art, on view from January 16th through February 21st.

A healer, a medicine (wo)man, a guide:  the shaman is a figure who interfaces with nature magic and the invisible world at large, for the betterment of the tribe.  Fluent in the language of symbols, and a perennial student of plant wisdom, the shaman is also a translator – bringing back messages from a place veiled thick with leaves, bones, smoke, ghosts.

This journey to the other side – to the innerside – is not just a flowery promenade of song and trance; of friendly animal spirits and ancestral reunions.  For while this land is rife with vibrant, variegated beauty, it can also be a danger zone.  Images of decapitation and dismemberment abound – though ultimately act as portents for personal transformation and rebirth.  This shadowy terrain is trod only by those brave enough to encounter whatever may be found along the way, as each sojourn is mysterious, thoroughly unpredictable, and entirely individual.  However, the results of the trip often prove invaluable, as the traveler returns armed with knowledge that will in turn illuminate and repair the community, and fortify his or her own soul.

While the role of the shaman has traditionally been fulfilled by experienced elders in indigenous groups spanning culture and time, VISION QUEST posits that our artists fit the bill as well.  Today, with more of us living in an urban jungle rather than a real one, it has become all the more important to figure out ways to internalize the lessons of nature: its growth, its brilliant bloom, its death.  And in an age of digitization and distraction, of wire vines and humming screens, it’s no wonder we long for deeper, more sensory experiences of self – with all of its darkness and divinity.

As such, each piece in VISION QUEST explores the archetype of the shamanic voyage, using the tools of paint, pencil, or paper in lieu of fire, flower, feather.  Taken together this work represents a full spectrum of what it means to go underground and out of body; to go there and come back again, perhaps just a little bit wiser or, at the very least, more wide awake.

PARTICIPATING ARTISTS
Jesse Bransford • William Crump • Scott Gursky • Juliet Jacobsen • Ashley Lande • Adela Leibowitz • Jason Leinwand • Christopher Mir • Joe Newton • Herbert Pfostl • Christopher Reiger • Christine Shields • Erika Somogyi • Jessie Rose Vala

ABOUT THE CURATOR
Pam Grossman is the creator and editor of Phantasmaphile, the premiere online destination for art aficionados with a passion for the surreal and the fantastical.  An internationally beloved art and culture web log, it features daily spotlights on artists and events, as well as interviews with such visual luminaries as Thomas Woodruff, Nils Karsten, and Richard A. Kirk.  Phantasmaphile was written up two years in a row on the Manhattan User’s Guide Top 400 New York Sites list, and Grossman’s previous show, “Fata Morgana: The New Female Fantasists,” was featured by myriad taste-making outlets including Juxtapoz, Arthur, Upper Playground, and Neil Gaiman’s Twitter page.  “VISION QUEST” is her latest curatorial effort, and she is proud to have it hanging at OBSERVATORY, the art and events space she co-founded.

ABOUT THE GALLERY
OBSERVATORY is an art and events space in the Gowanus neighborhood of Brooklyn, New York.  Founded in February 2009 and run by a group of seven artists and bloggers, the space seeks to present programming inspired by the 18th century notion of “rational amusement” and is especially interested in topics residing at the interstices of art and science, history and curiosity, magic and nature.  The space hosts screenings, lectures, classes, and exhibitions, and is part of the Proteus Gowanus art complex.  It is located at 543 Union Street (at Nevins), and is accessed through Proteus Gowanus Gallery’s entrance.  OBSERVATORY’s gallery hours are 3-6pm on Thursdays and Fridays; and 12-6pm on Saturdays and Sundays.

For press and media inquiries, please contact Pam Grossman:  phantasmaphile [at] gmail.com

Reposted from Ask Nicola, the oldest LGBT bookstore in the USA is looking for authors to read at its forthcoming benefit event.

Dear LGBT authors:

The Board of Directors of the Lambda Literary Foundation and Ed Hermance, owner of Giovanni’s Room, would like to invite you to read at our first “Read-a-thon”. The event, to be held at 7:30pm on Saturday November 21, 2009, at Giovanni’s Room in Philadelphia, will be a benefit for both the Foundation and the bookstore. We’d like to invite LGBT authors to read from a recent or classic book and answer questions for approximately 15 minutes each. 100% of the proceeds from the event will go to the two beneficiaries. We will be serving donated wine and snacks during the marathon reading. While the foundation and the bookstore can’t offset any expenses authors might incur participating in this benefit, we can possibly arrange housing in local homes. Both the Foundation and Giovanni’s Room will be very grateful for your help in these trying economic times. While this is a fundraising event, we’re hoping it will be a lot of fun for a community of people who treasure our words and writers.

The Lambda Literary Foundation is dedicated to raising the status of openly lesbian, gay, bisexual and trans people throughout society by rewarding and promoting excellence among LGBT writers who use their work to explore LGBT lives. The Foundation sponsors the annual Lambda Literary Awards and held its first Writer’s Retreat in 2007.

Giovanni’s Room, located at 12th & Pine in Center City Philadelphia, is the oldest LGBT bookstore in the USA. The store is faced with a financial challenge as their front wall of their historic structure is being replaced. The queer community of Philadelphia, rather than lose their cherished bookstore, is organizing fund-raising events through the fall to ensure the store’s survival.

We hope that we’ve enticed you to participate at this, sure to be wonderful, event. If you would like to read, or have any questions/comments/suggestions, please contact Scott Cranin at scranin@tlavideo.com.

A poster by by Sonia Sanchez for the 2009 NORML (National Organization for the Reform of Marijuana Laws) Conference.

NORML is a nonprofit lobbying organization working to end marijuana prohibition and stop arrests of smokers. The NORML Foundation sponsors educational, research, and legal programs about the costs of marijuana prohibition and alternatives.

So far as Obama and co. is concerned, for now his “drug czar” Gil Kerlikowske, director of the White House’s Office of National Drug Control Policy, peddles the same undeviating line as his predecessors: “Legalization is not in the president’s vocabulary, and it’s not in mine.”

Related: Furor Over an Obama Puff Piece

“…a labyrinthine, Kafka-esque halfworld of chambers and baroque, macabre characters, all connected by a central staircase.”

Don’t worry if you haven’t heard of L’Ange, it managed to stay off my Cinema of the Weird radar for decades. The emergence on DVD of Patrick Bokanowkski’s extraordinary feature film should go some way towards raising its profile among those who know that cinema as an artform doesn’t begin or end with Hollywood. Anyone excited by the early work of David Lynch, or the hermetic visions of the Brothers Quay, needs to see this.

Available via mail order (PayPal accepted) from British Animation Awards who also have an additional disc for sale, Bokanowski: Short Films/Courts metrages.

“A 2001 produced under the same conditions as Eraserhead”—Cahiers du Cinema

“A prolonged, dense and visually visceral experience of the kind that is rare in cinema today. Difficult to define and locate, its strangeness is quite unique. That its elements are not constructed in a traditional way should not be a barrier to those who wish to cross the bridge to what Jean-Luc Godard proposed as the real story of the cinema—real in the sense of being made of images and sounds rather than texts and illustrations.”— Keith Griffiths, film producer

“Magisterial images seething in the amber of transcendent soundscapes. Drink in these films through eyes and ears.”—The Brothers Quay

In which a representative from Corwood Industries made a cramped appearance last week at the HMV store in Belfast, Northern Ireland. Yes, dear friends, the corporate monolith will happily clasp even its most wayward constituents to its cold and unyielding bosom. (Thanks to Gav for the pics!)

The great Robert Anton Wilson died in 2007. He should have lived to see our interesting times; he would have been amused by the current panic and hysteria and, as always, would have had some wisdom to impart. Take this thought experiment from his essay collection The Illuminati Papers, first published in 1980 and strikingly relevant today:

Dissociation of Ideas, #5

Distinguish between wealth, illth, and money.

Wealth is best conceived as all the changes in the “natural” (prehuman) environment that are to the benefit of humanity and/or other life forms. A bridge that gets you across the river without your having to stop and build a raft is wealth in this sense. So is an airport. So is the furniture in your house. Think of ten other examples.

Illth, a term coined by John Ruskin, can be conceived as all the changes in the environment that are detrimental to humanity and/or to life itself. Weaponry, then, should be classed as illth, not wealth. Think of ten other examples.

Money is neither wealth nor illth but merely tickets for the transfer of wealth or illth.

Proof: if all the money disappeared overnight, the national standard of living would not change (whatever happened to individuals in the interim); things would be back to normal as soon as the Treasury printed more tickets. But if all the real wealth and illths—all the industrial plants, natural resources, roads, communications, and “real capital” generally—were to disappear, we would be plunged back into the Stone Ages and no issue of currency would improve the situation.

Note also that for all the “real capital” to disappear, all the technical knowhow in human heads would have to vanish. No economist, to my knowledge, has tried to calculate how much of our “real capital” consists of ideas in human heads (brain power) and/or of canned ideas stored in libraries or on tape. A reasonable guess is that 90 per cent of our wealth and illth consists of such brain creations.

The Illuminati Papers is still in print and it’s filled with real wealth.

And so say all of us!

Related: What Crisis? The story of the poster from the past with contemporary appeal.

Exhibition opening at Dabora, Brooklyn, NYC ( Map ) on Saturday, March 14th, 8pm-11pm. Complimentary absinthe so arrive early! Pam says “If you can’t make it to the opening, I will be at the gallery most weekends, so be sure to stop in and say hello. The artwork is stunning, and Dabora is a gallery like no other, with its opulent, gothic interior. Divine.”

Dabora Gallery and Phantasmaphile‘s Pam Grossman are proud to usher in the spring season with the group show “Fata Morgana: The New Female Fantasists,” on view from March 14th through April 12th, 2009.

In literal terms, a fata morgana is a mirage or illusion, a waking reverie, a shimmering of the mind. Named for the enchantress Morgan le Fay, these tricks of perception conjure up a sense of glimpsing into another world, whether it be the expanses of an ethereal terrain, or the twilit depths of the psyche. The artists of “Fata Morgana: The New Female Fantasists” deftly utilize the semiotics of mysticism, fantasy, and the subconscious in their work, thereby guiding the viewer through heretofore uncharted realms – alternately shadowy or luminous, but always inventive.

Yoko Ono recently said, “I think all women are witches, in the sense that a witch is a magical being.” Each artist in this show is a sorceress in her own right. Endowed with fecund imaginations and masterful craftsmanship, their work transforms the viewer: we become spellbound, bearing witness to their attempts to reconcile the desire for a diurnal beauty with the lure of a lush and riotous inner wilderness. The fantastical is counterpoint to the ferocious, the monstrous to the marvelous. Allusions to myth and metamorphosis abound, as these works channel their own heroine spirits and tell their own secret tales. Here, frame is magic threshold, bidding us to take a breath, and cross over.