Arthur is proud to present scans of essential documents produced by and about the San Francisco Diggers, who were in many ways the epicentral actors in the Haight-Ashbury during the epic, wildly imaginative period from late ’66 through ’67. The Diggers’ ideas and activities are essential counter-cultural history, sure, but they are also especially relevant to the current era, for reasons that should be obvious to the gentle Arthur reader.

Most of the documents that we are presenting are broadsides originally published on a Gestetner machine owned and operated in the Haight by the novelist/poet Chester Anderson and his protege/sidekick Claude Hayward, who used the name “Communication Company,” or more commonly, “Com/Co.” According to Claude, these broadsides were then “handed out on the street, page by page, super hot media, because the reader trusted the source, which was another freaky looking hippie who had handed it to him/her.”

Here are two posterish images—the black and white one is an early poster by Victor Moscoso—plus two flyers to do with the Invisible Circus, a “community” that was supposed to last for 72 hours at the Glide Memorial Church one weekend in late February, 1967. More on what happened at the Invisible Circus in our next installment of The Diggers Papers…

Click on the image to see at a bigger size…